N.C. Wyeth, "Ramona and Alessandro on the Narrow Trail," illustration for Ramona, 1939, Oil on hardboard, 34 x 25 ¾ in. frame; 25 x 16 ¾ in. board, PKY.5707

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Gordon Parks​, Department Store, Mobile Alabama,​ 1956​, unpublished photograph for LIFE, 1956, 1965, (Printed 2012), Archival pigment print, 28 × 28 in. (71.1 × 71.1 cm)

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Maxfield Parrish, Ecstasy, illustration for Edison Mazda calendar, 1930, Oil on board​, 32 × 23 in. (81.3 × 58.4 cm)

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Norman Rockwell​, Age of Romance, cover for The Saturday Evening Post, November 10, 1923, Oil on canvas​, 30 × 24 in. (76.2 × 61 cm)

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Ernie Barnes, The Critic’s Corner, 2007, Acrylic on canvas, 28 ½ x 40 7/16 x 2 ½ in. framed, 2020.38.5

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Joey Terrill, Cover art for Chicos Modernos vol. 3, 1989, Ink and colored pencil on paper, 8 x 6 ½ in. 2021.16.21

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Marie-George Jean Méilès, Storyboard for La voyage dans la lune (A Trip to the Moon), 1902, Pen, ink, colored pencil on paper, 2020.54.1

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Frank Frazetta​, Cover for A Princess of Mars, 1970​, Oil on canvas board​, 19 ½ x 15 ½ in.

Norman Rockwell, The Gossips, cover for The Saturday Evening Post, March 6, 1948, Oil on canvas​, 33 x 31 in.

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Paul C. Stahr, Retouching an Old Masterpiece, cover for Life, July 1, 1915, Watercolor, gouache, pen and black ink on paper, 29 x 26 in. frame; 22 ¾ x 19 ¼ in. paper, PKY.282

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Thomas Hart Benton​, American Historical Epic, Second Chapter: Axes (Clearing the Land), 1924-27, Oil on cotton duck, 58 × 40 1/8 in. (147.3 × 101.9 cm), Lucas Museum of Narrative Art, Los Angeles

Pieter Brueghel the Younger, The Alchemist, ca. 1600, Oil on oak panel, 36 ¾ x 48 x 3 in. framed; 27 1/6 x 37 ¾ x 5/8 in. canvas, 2020.25.1

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Alfredo Ramos, Vendedoras de Frutas (Fruit Vendors), ca. 1937, Fresco mounted on Celotex, 31 x 24 in. image; 41 ¼ x 34 ¼ x 2 9/16 in. 2021.37.1

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Yinka Shonibare, Crash Willy, 2009, Cotton, leather, fiberglass, and metal, 52 ½ x 61 x 97 in. 2017.5.1a-n

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N.C. Wyeth, "Slag was a figure for sculptors," illustration for "The Mild-Mannered Man," Everybody's Magazine, vol. 40, January 1919, Oil on canvas, 41 ¾ x 31 ¾ x 1 ¾ in. framed; 39 ¼ x 29 ¼ x 1 ½ in. canvas, 2020.87.1

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Shepard Fairey and Ernesto Yerena, Immigration Reform Now, 2010, Stencil, silkscreen, and collage on canvas, 60 ¼ x 44 ¼ x 2 in. 2019.65.1

Ralph McQuarrie, Artoo and Threepio leave the pod in the desert, production art for Star Wars: Episode IV – A New Hope, January 31, 1975, Acrylic and gouache on illustration board, 18 x 28 x 3/8 in. matted; 13 ¼ x 23 in. sheet; 8 x 16 ¼ in. image, 2013.005241

Henri Cartier-Bresson, A farewell service for the late actor Danjuro held on November 13, 1965, at the Aoyama Funeral Hall, Tokyo, according to Shinto rites, 1965; printed ca. 1990s, Gelatin silver print, 9 ½ x 14 ¼ in. image; 12 x 15 15/16 in. sheet, 2020.30.1

George Herriman, Krazy Kat Sunday Comic Strip, January 18, 1923, Ink and graphite pencil on Bristol board, 21 x 19 in. image; 23 ¼ x 19 ½ in. 2019.19.1

Miguel Covarrubias, Rumba, 1942, Lithograph, 9 ½ x 13 5/8 in. image; 11 ¼ x 15 ½ in. sheet, 2020.8.7

Jack Kirby and Frank Giacoia, Black Panther #6 cover, 1997, Ink over graphite on Bristol board, 16 ¾ x 11 3/8 in. image, 2020.20.9

Criselda Vasquez, The New American Gothic, 2017, Oil on canvas, 72 x 48 x 1 ¼ in. canvas, 2021.14.1

Poster for St. Louis Blues, 1929, ink on paper, 41 x 27 in. (104.1 x 68.6 cm), Lucas Museum of Narrative Art, Los Angeles

Frida Kahlo, Autorretrato dedicado al Dr. Eloesser (Self-Portrait Dedicated to Dr. Eloesser), 1940, Oil on Masonite, 34 x 26 x 3 ½ in. framed, 2020.50.1

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Utagawa Kuniyoshi, Byoutsuchi Sonritsu (Sun Li), 1827-1830, Oban woodblock print, 14 15/16 x 10 7/16 in. sheet, 2020.47.1

Jeffrey Catherine Jones, Cover for Star Hunter and Voodoo Planet, 1968, Acrylic on board, 29 13/16 x 19 15/16 in. board; 25 ½ x 15 ¼ in. image, 2019.53.7

Robert Colescott, George Washington Carver Crossing the Delaware: Page from an American History Textbook, 1975, Acrylic on canvas, 79 ¼ x 99 x 3 in. framed; 78 ½ x 98 ¼ in. canvas, 2021.45.1

Charles White, Study for Mary McLeod Bethune, mural for the Los Angeles Public Library, 1977-78, Acrylic on illustration board, 27 7/8 x 36 7/16 in. board; 21 1/8 x 29 5/8 in. image, 2019.8.1

Kadir Nelson, Art Connoisseurs, cover for The New Yorker, December 2, 2019, Oil on panel, 74 x 64 x 4 ½ in. framed; 60 x 50 x 1 ½ in. canvas, 2020.11.4

Jessie Willcox Smith, "The Sewing Lesson", cover for Collier's, vol 40, no. 14, December 28, 1907, Watercolor, gouache and charcoal on board, 21 x 17 ¼ in. board, 2018.2.2

Jacob Lawrence, Good People Gave Them Food To Eat and a Chance to Rest Their Weary Feet,” illustration for Harriet and the Promised Land, 1967, Gouache and tempera on paper, 14 ½ x 13 in. image; 17 ¾ x 14 5/8 in. sheet; 23 1/16 x 21 5/8 x 7/8 in. framed, 2018.48.1

Paul Cadmus, The Haircut, 1986, Egg tempera on fiberboard, 21 x 19 in. board; 27 ¼ x 25 ¼ x 2 in. framed; 20 ½ x 17 7/8 in. image, 2021.10.1

Carrie Mae Weems, Untitled, (Outtake from the Kitchen Table Series), 1990-1992, Gelatin silver print, 27 1/8 x 26 7/8 in. image; 27 ¼ x 27 in. board, 2018.9.2

Norman Rockwell, Shuffleton's Barbershop, cover for The Saturday​ Evening Post, April 29, 1950​​, Oil on canvas, 46 ¼ x 43 ¼ in.; 51 ½ x 48 ¾ in. framed, 2018.10.1

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